The Influence of New Objectivism on Piano Performance and Its Causes
Abstract
This paper focuses on the trend of New Objectivism, discusses in depth its influence on piano performance in terms of performance
concept, expression style, technical application, etc., and analyzes the causes from the perspectives of development of music culture, social
aesthetic changes, and the evolution of piano art, etc., with the aim of revealing the intrinsic correlation between New Objectivism and piano
performance, and providing a brand-new perspective to the piano performers and researchers to understand the trend of contemporary piano
performance. It aims to reveal the intrinsic connection between New Objectivism and piano performance, provide piano performers and researchers with a new perspective on contemporary piano performance trends, and help piano art to innovate and develop under the influence
of new trends.
concept, expression style, technical application, etc., and analyzes the causes from the perspectives of development of music culture, social
aesthetic changes, and the evolution of piano art, etc., with the aim of revealing the intrinsic correlation between New Objectivism and piano
performance, and providing a brand-new perspective to the piano performers and researchers to understand the trend of contemporary piano
performance. It aims to reveal the intrinsic connection between New Objectivism and piano performance, provide piano performers and researchers with a new perspective on contemporary piano performance trends, and help piano art to innovate and develop under the influence
of new trends.
Keywords
New objectivism; Piano performance; Influential role
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PDFReferences
[1] Yi-Wen Chen. An investigation of the influence and causes of new objectivism on music performance--Taking piano performance as an
example[J]. Contemporary Music, 2024, 40(2):147-149.
[2] Zhao Lin. A few aesthetic reflections on the performing art of piano music[J]. China Ethnic Expo, 2024, 33(7):143-145.
[3] Wang Mei. From keyboard to keys: The balance between historical performance practice and modern interpretation of Bach's works[J].
Art Review, 2024, 9(16):49-54.
DOI: http://dx.doi.org/10.70711/wef.v2i10.6563
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