Research on the Style and Method of Integrated Compilation of Tibetan Dance in China -- Centered on the volumes of the Complete Collection of Chinese Ethnic and Folk Dances
Abstract
This paper, guided by the general rules of the Collection of Chinese Ethnic and Folk Dances, and taking the Tibetan dance Compilation Work Conference held in Chengdu in 1987 as an important node, conducts a cross-volume comparative analysis of the compilation
practice of Tibetan dances in the volumes of Xizang, Sichuan, Qinghai, Gansu and Yunnan provinces (autonomous regions). The five-in-one
compilation model of "administrative sub-volume - Tibetan naming - survey form registration - four-dimensional record of text, image, sound
and dance - terminology unification" was distilled. This paradigm provides a methodological reference for the construction of a database of
Tibetan danceology in the new era and the digital organization of intangible cultural heritage.
practice of Tibetan dances in the volumes of Xizang, Sichuan, Qinghai, Gansu and Yunnan provinces (autonomous regions). The five-in-one
compilation model of "administrative sub-volume - Tibetan naming - survey form registration - four-dimensional record of text, image, sound
and dance - terminology unification" was distilled. This paradigm provides a methodological reference for the construction of a database of
Tibetan danceology in the new era and the digital organization of intangible cultural heritage.
Keywords
Tibetan dance; Collection of Chinese Ethnic and Folk Dances; Compilation style; Tibetan Dance Studies
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PDFReferences
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[4] Wu Xiaobang; Shan Zengciren. Editorial Department of Chinese Ethnic and Folk Dance Ensemble. Chinese Ethnic and Folk Dance Collection: Xizang Volume [M]. Beijing: China ISBN Center, 2000.
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DOI: http://dx.doi.org/10.70711/rcha.v4i7.10114
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