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Analysis of the Aesthetic Value of Blank-Leaving Art in Chinese Ink Landscape Painting

Yuxin Li

Abstract


As a typical form of traditional painting, Chinese ink and landscape painting is blank art; it has its own way of creating space and
artistic conception and shows the aesthetic pursuit and cultural connotations of Oriental painting. This article focuses on research into the
aesthetic values of blank art in Chinese ink landscape painting. First, introduce the general ideas of blank art and its specific application in ink
landscape painting; then, analyze how it can add an ethereal artistic conception, extend the spatial scale of the work, reflect the Eastern aesthetic spirit, boost the value of artistic expression, and help people better understand the features of traditional Chinese painting.

Keywords


Blank art; Chinese ink and landscape painting; Aesthetic value

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References


[1] Qin Y. Dry brush, light ink, and creating mood through reserved white space: The brush-and-ink language and artistic conception of

Shao Mi's landscape painting[J]. Probe - Media and Communication Studies, 2026, 8(2).

[2] Liu Z. The Impact of Teaching the Art of "Blank Space" in Chinese Painting on High School Students' Aesthetic Thinking and Mental

Cultivation[J]. Journal of Sociology and Education, 2026, 2(3).

[3] Zhao H. The Expression of the Concept of "Leaving White" in Chinese Painting in Public Art Design[J]. Art and Design, 2025, 8(4).




DOI: http://dx.doi.org/10.70711/rcha.v4i7.10116

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