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Research on the Protection and Inheritance of Oroqen Birch Bark Art

Zhehu Han, Dan Liu

Abstract


The art of birch bark in the Oroqen nationality is an important part of Oroqen culture, deeply rooted in the production, life and traditional culture of the Oroqen nationality. It shows distinct national characteristics and unique charm of forest culture, and has extremely high
aesthetic and historical value. However, with the accelerating process of social modernization, the traditional life and cultural environment
of the Oroqen nationality are undergoing profound changes, which makes the protection and inheritance of Oroqen birch bark art face great
challenges. In order to ensure the sustainable development of this art form, it is necessary for us to conduct in-depth discussion, seek effective
protection measures and inheritance ways, and further promote the excellent traditional culture of the Chinese nation.

Keywords


Oroqen; Birch Bark Art; Protection; Inheritance

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References


[1] Mola Huer, Hong Wei. The Birch Bark Culture of the Oroqen Ethnic Group [J]. Heilongjiang Ethnic Series, 1997(03): 82-85.

[2] Qiu Pu. The Development of Oroqen Society[M]. Shanghai: Shanghai Peoples Publishing House, 1980, p. 32.

[3] Guan Wenshuang. On the Birch Bark Culture of Ethnic Minorities in Northeast China. [J]. Heilongjiang Ethnic Series, 2004(03): 69-71.

[4] Du Yonghao, Zuo Xiuxian. Research on the Protection, Inheritance, and Promotion of Intangible Cultural Heritage of the Oroqen Ethnic Group [J]. Heilongjiang Ethnic Series, 2021(04): 129-135.

[5] Qiu Shutian. Characteristics of Traditional Ecological Views of the Oroqen People in the Greater Khingan Range. [J]. Heilongjiang Ethnic Series, 2023(01): 144-147.

[6] Liu Xiaochun, Guan Xiaoyun. The Current Status and Protection Strategies of Oroqen Language and Culture. [J]. Heilongjiang Ethnic Series, 2019(03): 151-155.


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