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The Appearance of Event Cinema in Theatre Industry from the Perspective of Art Reception

Shixian Zhang

Abstract


In order to understand the appearance of event cinema in theatre art more profoundly, this paper, bases on the theories of art reception, discusses essence, social environment, sinking resonance, comment generalization, and criticism declining to analyse this new phenomenon, puts forward a novel viewpoint to this field.

Keywords


Event Cinema; Theatre Art; Art Reception; NT live

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References


[1] Peter Brook. The Empty Space[M]. New York: Touchstone. 1996.

[2] NESTA. Digital broadcast of theatre learning from the pilot season NT Live[R]. London: NATIONAL THEATRE, ARTS COUNCIL ENGLAND, 2011

[3] Jixiang Peng. Introduction to Art[M]. Beijing: Peking University Press. 2019.

[4] Hongjian Wang. Perspective[M]. Beijing: Culture and Art Publishing House. 2010.

[5] Zhenzhu Ma. Brand Innovation of British National Theatre in the Digital Media Environment-An Analysis of the Causes, features, and operation of NT live[J]. Drama-The Journal of The Central Academy of Drama, 2016(2):99-110

[6] Runjing Huang. Research on Digital Performance Production Process[J]. Comedy World, 2021(6):124-128


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