On the Reconstruction of Stars in High-quality Films and TV Dramas
Abstract
As China has entered a rapid period, peoples demand for spiritual culture has also increased, film and television industry as the
main representative of spiritual culture, the output of its works has also seen a blowout growth. Behind the double growth of film and television works, the flow star can not guarantee the quality of the work, the role performance pattern, the problem of characterisation has become
increasingly prominent. The success of high-quality TV dramas has promoted the improvement of the star system in Chinas film and television industry, so that the film and television production process has abandoned the data fetishism under the only traffic star theory, pushing
the development of stars in China into the right track. Therefore, it is necessary to explore the perfection of Chinese stars in recent years from
three aspects: understanding the symbolic meaning behind stars, the problems existing in flow stars and the reshaping of actors by high-quality
movies and TV dramas.
main representative of spiritual culture, the output of its works has also seen a blowout growth. Behind the double growth of film and television works, the flow star can not guarantee the quality of the work, the role performance pattern, the problem of characterisation has become
increasingly prominent. The success of high-quality TV dramas has promoted the improvement of the star system in Chinas film and television industry, so that the film and television production process has abandoned the data fetishism under the only traffic star theory, pushing
the development of stars in China into the right track. Therefore, it is necessary to explore the perfection of Chinese stars in recent years from
three aspects: understanding the symbolic meaning behind stars, the problems existing in flow stars and the reshaping of actors by high-quality
movies and TV dramas.
Keywords
Star; High quality film TV; Series data fetishism; Actor
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PDFReferences
[1] Dyer, Richard: Star, Trans. Yan Min, Beijing: Peking University Press, 2010, Introduction to the content.
[2] Jean Baudrillard, The Consumer Society. Trans. Liu Chengfu and Quan Zhigang. Nanjing: Nanjing University Press, 2000, pp. 80-95.
[3] Hampton, Benjamin. A History of American Cinema. New York: Duofu Books, 1970.
[4] Tu Yan. The Successful Presentation of Realistic performance Aesthetics: A Case Study of the fine creation of major TV dramas in the New Era [J]. Contemporary Television, 2022(8):26-32.
DOI: http://dx.doi.org/10.18686/rcha.v2i2.4056
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