Traditional Chinese Culture - Jinhuidui
Abstract
From the theme of the painting to the content of the painting, from the whole picture structure, pen and ink, texture, composition, to
their rhythm, this series of creative uncertain factors, through imagination and chance to seek inner inspiration, “everything is self-sufficient”,
Chinese painting’s “contance” is the height of the author’s spiritual factors. Now, in painting, I try to penetrate self-feeling and nature into the
performance of ink, making it delicate and rich in the characteristics of change and real expression. This pursuit, the establishment of a personalized painting method makes the work acquire some chance and enhance its existence value.
their rhythm, this series of creative uncertain factors, through imagination and chance to seek inner inspiration, “everything is self-sufficient”,
Chinese painting’s “contance” is the height of the author’s spiritual factors. Now, in painting, I try to penetrate self-feeling and nature into the
performance of ink, making it delicate and rich in the characteristics of change and real expression. This pursuit, the establishment of a personalized painting method makes the work acquire some chance and enhance its existence value.
Keywords
Ash pile; Chinese painting; Chance; Randomness
Full Text:
PDFReferences
[1] Wu Dongmei’s True Theory of Chinese Painting, Tsinghua University Press, 2001.
[2] Xu Fuguan, The Spirit of Chinese Art, East China Normal University Press, 2001
[3] Wang Wei’s “Painting”, 1998, 014(004):223-255
[4] Mao Jianbo [Shi Tao Painting Quotations] Xiling Printing House Publishing House, 2006.
[5] Zong Bing’s “Painting Landscape Preface”, 2003, 38(1):4
DOI: http://dx.doi.org/10.18686/rcha.v2i3.4103
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