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Daughters of the Renaissance: Cross-dressing Damsels in Shakespeares Works

Lingyu Zhang

Abstract


This paper delves into the subtle meanings and underlying motives of female disguise during the male-dominated Renaissance
period in the works of William Shakespeare. This analysis will examine some astonishing cross-dressing female characters in Shakespeares
plays, revealing the motivations behind using this dramatic technique and its potential impact on the societal norms of the time. Additionally,
the paper notes that under the reign of Elizabeth I, womens political and educational rights slightly diverged from the earlier highly patriarchal society, influencing Shakespeares value orientation in portraying female characters. This analysis will focus on three of Shakespeares
representative works: The Merchant of Venice, Twelfth Night, and As You Like It. By examining the female protagonists who disguise themselves as men in these works, the paper argues why Shakespeares cross-dressed heroines are acclaimed by modern scholars as the
daughters of the Renaissance.

Keywords


Shakespeare; The Renaissance; Cross-dressing; Feminism

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References


[1] Shakespeare, W. Hamlet. New Haven: Yale University Press; 2003.

[2] Rackin, P. "Shakespeare's Crossdressing Comedies. " A Companion to Shakespeare, Volume III: The Comedies, edited by Richard Dutton and Jean E. Howard, 114-136. Oxford: Blackwell; 2003

[3] Shakespeare, W. Macbeth. Edited by Burton Raffel. New Haven: Yale University Press; 2005.

[4] Shakespeare, W. The Merchant of Venice. Edited by Burton Raffel. Contributions by Harold Bloom. New Haven: Yale University Press; 2006.

[5] Shakespeare, W. Twelfth Night. Edited by Burton Raffel. New Haven: Yale University Press; 2006.

[6] Shakespeare, W. As You Like It. Available from: https://shakespeare. mit. edu/asyoulikeit/full. html [Accessed 15th April 2024]

[7] Dongchao Min, International Women's Movements, Zhengzhou: Henan People's Publishing House, 1991


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