On the Inheritance of the Beauty of Film and Television Art to the Classic Modeling Form
Abstract
The rapid progress of science and technology has greatly promoted the rapid development of film and television art in the display
of classic modeling and beauty. The integration and application of high-definition camera technology, digital special effects, 3D and virtual
reality (VR) and other technologies have given film and television works an unprecedented degree of delicacy and realism, making it possible
to reproduce and innovate classic shapes. This deep integration of technology and art not only greatly broadens the performance boundaries
of film and television creation, but also allows the audience to reach a new level of cognition and perception of the beauty of classic modeling
forms in an immersive visual experience. As a powerful driving force for the inheritance and innovation of classic aesthetics in film and television art, technology not only retains the classic charm of history, but also stimulates unprecedented creative potential.
of classic modeling and beauty. The integration and application of high-definition camera technology, digital special effects, 3D and virtual
reality (VR) and other technologies have given film and television works an unprecedented degree of delicacy and realism, making it possible
to reproduce and innovate classic shapes. This deep integration of technology and art not only greatly broadens the performance boundaries
of film and television creation, but also allows the audience to reach a new level of cognition and perception of the beauty of classic modeling
forms in an immersive visual experience. As a powerful driving force for the inheritance and innovation of classic aesthetics in film and television art, technology not only retains the classic charm of history, but also stimulates unprecedented creative potential.
Keywords
Film and television arts; Classic styling; Formal beauty
Full Text:
PDFReferences
[1] Dong Yishan. Fine Needles and Dense Lines in Drama and Film and Television Arts: A Review of Stage Costumes and Plastic Arts[J].
China Education Journal, 2024, (01):133.)
[2] Li He. Art Market, 2022, (08):110-111.)
[3] Han Yujiang, Yin Xiaofeng. New Art, 2018, 39(09):124-126.)
DOI: http://dx.doi.org/10.18686/rcha.v2i5.4550
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