On the Modeling View of Freehand Brushwork Figure Painting
Abstract
technique show the painters deep understanding of the character image and his unique artistic feeling. This paper will discuss the modeling
view of freehand figure painting from the aspects of modeling basis and characteristics, image shaping and deformation, emotional expression
and artistic conception, composition and spatial layout, color application and style, the integration of tradition and innovation, and practical
skills and experience.
Keywords
Full Text:
PDFReferences
[1] Jiang Zhaohe, Jiang Zhaohe Lecture on figure Painting[M]. Tianjin Ancient Books Publishing House, 2007.
[2] Wang Zhongxu: Chinese figure painting ?[M]. Shanghai Calligraphy and Painting Publishing House.
[3] Huang Xiaofeng, Xiyuan Elegant Collection-Chinese figure Painting[M]. Shanghai Calligraphy and Calligraphy Publishing House.
[4] Fan Shengli: Yan hundred mu-Chinese figure painting ?[M]. Shanghai Calligraphy and Painting Publishing House.
[5] Wang Bin: "Wind Exhibition Red Flag-Chinese figure Painting ?"[M]. Hai Painting and Calligraphy Publishing House.
[6] Yue Haibo: The character freehand brushwork painting techniques[M]. Shandong Fine Arts Publishing House.
[7] Luo Shumin, Focusing on Chinese Painting Six Reading Methods of Traditional Chinese Painting[M]. Guangxi Normal University
Press, 2010.
[8] Yu Jianhua, A Study on Traditional Chinese Painting[M]. Guangxi Normal University Press, 2005.
[9] Fan Bo, A History of Chinese Figure Painting[M]. Jiangxi Fine Arts Publishing House, 2018.
[10] Tong Zhongtao: What is Chinese painting?"[M]. China Academy of Fine Arts Press, 2010.
DOI: http://dx.doi.org/10.18686/rcha.v2i5.4573
Refbacks
- There are currently no refbacks.