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An Exploration of the Aesthetic Value of Hu Shis Ibsenism in Drama

Zhanguo Wang

Abstract


The influence of Norwegian playwright Henrik Ibsen in China today is largely attributed to Hu Shis introduction and evaluation of
his works. Hu Shi wrote an article titled Ibsenism in Beijing on May 16, 1918, and revised it on April 26, 1919. This article was published
on June 15, 1918, in the 4th volume, 6th issue of the New Youth magazine. Once published, it caused a significant stir in society. Consequently, a cultural transformation of realism emerged in China. Today, the study of Hu Shis Ibsenism still holds great research value and
significance. This paper aims to explore Hu Shis Ibsenism to provide a strong theoretical support and practical basis for the development
and construction of realism in creation and contemporary Chinese drama.

Keywords


Hu Shi; Ibsenism; Drama Aesthetics; Thought

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References


[1] Chen Min. "Reflections on the Tradition of Chinese Problem Plays." China Drama Publishing House. July 2012.

[2] Jiao Shangzhi. "A History of Modern Chinese Dramatic Aesthetic Thought Development." Oriental Publishing House. March 1997.

[3] Hu Shi. "Hu Shi Collection." Peking University Press. October 2013.

[4] Qian Liqun, Wen Rumin, Wu Fuhui. "Thirty Years of Chinese Literature." Peking University Press. August 2023.

[5] Stein. "Theory and Practice of Modern Drama." China Drama Publishing House. July 1986.




DOI: http://dx.doi.org/10.18686/rcha.v2i6.4708

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