Regionality and Universality of Visual Arts: Evolution 
and Influence of Art Applications in Europe, America, 
and China

Shijie Hai

doi:10.18686/rcha.v2i6.4725

Regionality and Universality of Visual Arts: Evolution and Influence of Art Applications in Europe, America, and China

Shijie Hai

Abstract

In the study of the regionality and universality of the development, evolution, influence, and application of visual arts, we should
focus on the most representative regions of art development and transformation: Europe, America, and China. This study examines the evolution, influence, and application of visual arts in these regions. Based on this, the research focuses on the regionality and universality of visual
arts, studying the evolution, influence, and application of visual arts in Europe, America, and China. This includes the characteristics of visual
arts, their regionality and universality, the developmental history of visual arts in Europe, America, and China, the primary influences on the
development of visual arts in these regions, and the application of visual arts in Europe, America, and China. It is hoped that this research will
provide a scientific reference for the study, application, and development of visual arts.

Keywords

Visual arts; Regional characteristics; Universal characteristics; European and American visual arts; Chinese visual arts

Full Text:

PDF

Included Database

References

[1] Shi Ye. From Skill to Artistic Way: A Study on the Influence of Western Visual Arts on China from the 17th to the 20th Century [J]. Social Science, 2022(5):65-74.

[2] Zhou Ziyu. The Narrative Paradigm of Mirror Twins: European and American Street Photography in the 1930s and 1940s and French

Poetic Realist Cinema [J]. Journal of Beijing Film Academy, 2022(3):109-117.

[3] Chen Tao. From Lifelike to Phantom Journey: The Motion Scenery in Early European and American Situation Films [J]. World

Cinema, 2021(5):47-59.

[4] GELASIMOVA VIKTORIIA. Research on the Empty Costume Phenomenon in Europe and America in the 1990s: An Analysis Based

on Three Exhibitions of the Same Period [D]. Zhejiang: China Academy of Art, 2021.

[5] M. Justin McGrail, Wu Jingying. Graffiti and the City: New Reflections on Street Art, Urban Youth, and Art Therapy [J]. World Art,

2020(3):16-19.

[6] Xu Lihong. New Explorations in Contemporary American Film Theory and Its Implications for Chinese Film Studies [C]. //The Sixth

National Film Studies Youth Scholar Forum Proceedings. 2019:271-281.

[7] Fan Yi. A Study on Ambiguous Images in Contemporary Chinese Oil Painting [D]. Anhui: Hefei University of Technology, 2019.

[8] Zhang Fan. Research on the Localization Design of Characters in Chinese Animated Films [J]. Industrial Design, 2019(9):82-83.

DOI: http://dx.doi.org/10.18686/rcha.v2i6.4725

Refbacks

There are currently no refbacks.