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Cultural Heritage in Digital Entertainment: A Case Study of Black Myth: Wukong and Its Implications for the Chinese Gaming Industry

Xu Han

Abstract


This paper uses Black Myth: Wukong as an example to explore the integration of Chinas gaming industry with traditional culture.
The game has become a hit due to its deep exploration of traditional culture, excellent visual presentation, innovative gameplay, and highquality production, setting a benchmark for Chinas gaming industry. However, the Chinese gaming industry still faces challenges such as
lagging production technology, insufficient innovation, and an imperfect industrial chain in the process of integrating with traditional culture.
To achieve integrated development, efforts should be made to deeply explore traditional cultural resources, innovate integration forms and
methods, focus on cultural connotation transmission, strengthen talent cultivation and team building, enhance international cooperation and
exchange, and obtain policy support and industry guidance.

Keywords


Black Myth: Wukong; Chinese gaming industry; Traditional culture; Integrated development

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References


[1] Zhang Cheng, Zhou Yumeng, & Luo Yali. (August 22, 2024). Global Cheers for Sun Wukong: Chinese Stories Are Truly Wonderful.

Shenzhen Special Zone Daily, A07 edition.

[2] Zhu Meng. (2024). Electronic Games Helping Chinese Cultural Industry "Go Global". China Newspaper Industry, 18, 192024.06 (Part 2).

https://doi.org/10.13854/j.cnki.cni.2024.12.009

[3] Mo Yifei, & Yu Yuanlai. (2022). Exploring the Path of "Games Going Global" in a Cross-cultural Context. Southeast Communication,

11(219), 84-86. https://doi.org/10.13556/j.cnki.dncb.cn35-1274/j.2022.11.022

[4] Wang Kaiyuan. (2024). Improving the Path of Game Industry Assisting the Digital Inheritance of Traditional Culture. Business Economy, 9(577), 42-45. https://doi.org/10.19905/j.cnki.syjj1982.2024.09.022

[5] Liu Qi. (2022). The Development of China's Game Culture Industry from the Perspective of the Dissemination and Acceptance of

"Black Myth: Wukong". Beijing Cultural Creativity, 2022(6), 90-91.




DOI: http://dx.doi.org/10.18686/rcha.v2i6.4727

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