Xunmei Luo

doi:10.70711/rcha.v2i7.5212

Revolutionary for its Age Chinese Contemporary Art in Women

Xunmei Luo

Abstract

To a certain degree, art mirrors the politics and characteristics of the period it is created in. In the 1980s, following decades of political and revolutionary change in China, a collective of avant-garde female artists began creating more self-reflective works. This triggered indepth discussions about the role of contemporary art in the canon of Chinese artistic output.

Keywords

Contemporary art; Avant-garde; Feminism; Xiao Lu; Chen Man

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References

[1] Richard Bernstein. "In Taiwan, Sympathies Lean Toward Home"[N]. New York Times, 4 June 1989, 121.

[2] Smith Karen. Nine Lives: The Birth Of Avant-Garde Art In New China[M]. 1st ed. North America: DAP. 2008.

[3] Lydia He Liu, Rebecca Karl, Dorothy Ko. 2013. The Birth Of Chinese Feminism[M]. New York: Columbia University Press.

[4] Xiao Lu. Dialogue[M]. Hong Kong: Hong Kong University Press. pp. 715. 2010.

[5] Siegfried Schieder. Theories Of International Relations[M]. 1st ed. London: Routledge. 2014.

[6] Wu Hung, and Peggy Wang. Contemporary Chinese Art[M]. New York: Museum of Modern Art, 2010.

DOI: http://dx.doi.org/10.70711/rcha.v2i7.5212

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