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An Exploration of the Aesthetic Thought in Li He’s “God-Ghost Poetry”

Yuqing Chen

Abstract


Chinese poetry internalizes Chinese aesthetics within its diverse forms and rich themes. Li He’s poetry frequently discusses “gods,”
“ghosts,” “death,” and “decay,” featuring a style that is both bizarre and poignantly beautiful. The imagery of “god and ghost” carries with it
the psychological needs of humanity to explore the unknown, as well as long-standing cultural traditions and religious beliefs. It is a complex
cultural label containing individual emotional sustentation and moral choice, with different levels of aesthetic value. Li He uses the imagery
of “gods and ghosts” as a medium for emotional expression, and in his tragic life circumstances, he achieves a unique spiritual transcendence
through the “gods and ghosts world” he creates. Starting from the tragic consciousness of life, one might be able to understand the connotation
and aesthetic charm of Li He himself and his “god-ghost poetry.”

Keywords


Li He; Gods and Ghosts; Tragic Consciousness; Aesthetics

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References


[1] Qi Hao. A Textual Research on “Immortal God” and “Immortal Ghost” in Canglang[J].Journal of Anhui University.2023

[2] Li Yanan. The Misery Aesthetics Reflected by Pre-Qin 's Ghosts-Gods Art[D]. Hunan Normal University.2011.

[3] He Lei. The Religious Context on the Evaluation of Li He in the Tang and Song Dynasties[J]Journal of Xinjiang University.2015

[4] Cao Tingyu. A Study on the Artistic Style of Li He's Poetry from an Aesthetic Perspective [J]Hanyu Culture.2021

[5] Li Jinyan. The Poetics of Death and the Heavenly Peach Blossom Land – An Analysis of the Artistic Features in Li He’s Poetry [A].Xinjishi.2021




DOI: http://dx.doi.org/10.70711/rcha.v2i8.5359

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