The Exploration of the Core Influence and Artistic Value of Performance Rhythm in the Presentation of Theatrical Performances
Abstract
Rhythm, as an ubiquitous phenomenon in life, profoundly influences peoples daily behavior and emotional experiences. On the
stage of theatrical art, exploring and refining the rhythms hidden in the details of life has become the relentless pursuit of creators. The grasp
and handling of dramatic rhythm not only concerns the emotional flow and plot progression within the drama, but also directly affects the audiences perceptual experience and emotional resonance. Directors need to possess a high degree of artistic sensitivity and profound creative
skills in order to accurately capture and shape rhythm patterns that are both in line with the internal logic of theatre and can touch peoples
hearts. By cleverly arranging the rhythm, the director can guide the audiences emotional fluctuations, enhance the infectiousness and artistry
of the theatre, and make the theatrical performance a profound and unforgettable artistic journey.
stage of theatrical art, exploring and refining the rhythms hidden in the details of life has become the relentless pursuit of creators. The grasp
and handling of dramatic rhythm not only concerns the emotional flow and plot progression within the drama, but also directly affects the audiences perceptual experience and emotional resonance. Directors need to possess a high degree of artistic sensitivity and profound creative
skills in order to accurately capture and shape rhythm patterns that are both in line with the internal logic of theatre and can touch peoples
hearts. By cleverly arranging the rhythm, the director can guide the audiences emotional fluctuations, enhance the infectiousness and artistry
of the theatre, and make the theatrical performance a profound and unforgettable artistic journey.
Keywords
Relationship between action and behavior; Communication; The first self; The second self; Internal rhythm; External rhythm
Full Text:
PDFReferences
[1] Hu Zhiyi. The Evolution of Western Drama [M] Beijing: China Theatre Publishing House, 1998: 35-42.
[2] Zhang Xian. On the History of Chinese Opera [M] Taipei: National Art Publishing House, 1998: 89-96.
[3] Wang Xiaoying. Philosophical Reflections on Drama [M] Shanghai: Shanghai People's Publishing House, 2003: 47-56.
[4] [Soviet] Ma A Frezianova. Essence of Stanislavsky System, Chinese Film, 1990.
[5] Translation Collection of Drama Theory, Chinese Drama, 1957.
[6] Basic Techniques of Actors' Artistic Language. Culture and Arts Press, 2005.
[7] (Former Soviet Union) Guriev Repkovskaya. Stage Speed and Rhythm, China Theatre Publishing House, 1983.
[8] Translation Collection of Drama Theory, China Drama Press, 1957.
DOI: http://dx.doi.org/10.70711/rcha.v2i9.5609
Refbacks
- There are currently no refbacks.
