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The Narrative Characteristics of Chinese-American Science Fiction in Ken Lius Short Stories from the Perspective of Posthumanism

Yuerui Sun, Xiaoying Hu

Abstract


With his oriental philosophical perspective of Chinese values, Chinese-American author Ken Liu combines scientific and humanistic care, making his works present the three characteristics: the symbiosis of cultures, the diversity of subjects, and the integration of worlds.
Through the form of science fiction works, Liu addresses cultural conflicts and the challenges faced by the Chinese-American community,
while also exploring post-human society, shaping a distinct style in Chinese-American science fiction.

Keywords


Ken Liu; Chinese-American science fiction; Posthuman

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References


[1] Damasio, AntonioR. DescartesError: Emotion, Reason, and the Human Brain. New York: G. P. Putnam, 1994.

[2] Haraway, Donna J. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1991.

[3] Hassan, Ihab. Prometheus as Performer: Toward a Posthumanist Culture? The Georgia Review, vol. 31, no. 4, 1977, pp. 830-850.

[4] Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. London: The University of Chicago Press, 1999.

[5] Liu, Ken. The Hidden Girl and Other Stories. New York: Saga Press, 2020.

[6] ---. The Shape of Thought. The Other Half of the Sky, edited by Athena Andredis and Kay Holy, Candlemark & Gleam, 2013, pp. 225-253.




DOI: http://dx.doi.org/10.70711/rcha.v2i10.5936

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