Yanlu Li

doi:10.70711/rcha.v2i10.5937

British Opera in Baroque Period-Illustrated by the Example of Purcells Opera Dido and Aeneas

Yanlu Li

Abstract

This paper explores the evolution of British opera during the Baroque period, focusing on Henry Purcells seminal work Dido and
Aeneas. British opera emerged as a unique art form influenced by both French and Italian traditions while maintaining distinct national characteristics. The paper examines the historical and cultural contexts that shaped the development of English opera, particularly the influence
of the masque tradition, semi-operas, and Italian and French styles. Through detailed analysis, it highlights Purcells genius in blending these
influences in Dido and Aeneas, a work that exemplifies British operatic innovation in the 17th century. The study concludes that Purcells synthesis of international styles with British elements laid the foundation for English operas distinct identity.

Keywords

British opera; Baroque period; Henry Purcell; Dido and Aeneas

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DOI: http://dx.doi.org/10.70711/rcha.v2i10.5937

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