[1] Percival, J. M. (2019). The Worlds Din: Listening to Records, Radio and Films in New Zealand, 1880-1940. Journal of Radio & Audio

Media, 26(2), 364366.

[2] Kenney, W. H. (2018). Recorded Music in American Life: The Phonograph and Popular Memory, 18901945. Oxford University Press.

Retrieved from Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195171778.001.0001

[3] Rees, Helen, Echoes of History: Naxi Music in Modern China (New York, NY, 2000; online edn, Oxford Academic, 31 Oct. 2023), https://doi.org/10.1093/oso/9780195129496.001.0001, accessed 18 May 2024.

[4] Denning, M. (2015). Noise Uprising: The Audiopolitics of a World Musical Revolution. Verso Books.

[5] Jones, L. (2019). Economic Empowerment Through Music: The Phonograph Industry and Women's Independence. Music and Society,

8(2), 123-140.

[6] Smith, K. (2020). Breaking Gender Norms: Women's Music and the Phonograph Industry. Women's Studies Quarterly, 34(1), 58-75.

[7] Miller, R. (2020). Women in Music: The Phonograph's Role in Professionalization.