An Interpretation of Donald Barthelmes The Glass Mountain from the Perspective of Defamiliarization
Abstract
The Glass Mountain is a representative work of Donald Barthelme, renowned for its postmodernist characteristics and unique narrative style. The novel challenges traditional narrative patterns through fragmented and subversive narrative structures, and its defamiliarization writing is distinctive, offering readers a rich artistic experience and broad interpretive space. This paper delves into the defamiliarization
features of the novel from the aspects of content, form, and theme, revealing its subversion of traditional literature and profound reflection of
postmodern social reality, and demonstrating Barthelmes unique creative art and ideological connotations.
features of the novel from the aspects of content, form, and theme, revealing its subversion of traditional literature and profound reflection of
postmodern social reality, and demonstrating Barthelmes unique creative art and ideological connotations.
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[1] Shklovsky Viktor. Art as technique. Literary theory: An anthology, 3(1917): 8-14.
[2] Barthelme Donald. Sixty Stories. New York: E. P. Dutton, (1981): 178-182.
[3] Lodge David. The Art of Fiction: Illustrated from Classic and Modern Texts. New York: Viking Penguin, (1992): 82.
[4] Waugh Patricia. Met afiction: The Theory and Practice of Self-conscious Fiction. London: Methuen, (1984): 143.
DOI: http://dx.doi.org/10.70711/rcha.v3i2.6740
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