The Application of New Elements in the Development of National Vocal Music is Analyzed
Abstract
In the process of social development, ethnic vocal music, as an important component of the arts, has been gradually infused with
new elements due to the diversification of society, forming a certain positive impact. This paper analyzes the phenomenon of integrating
new musical elements in ethnic vocal music creation since the 21st century, exploring innovative paths for traditional art forms under a global
context. It examines the application of new elements from three aspects: work creation, performance, and teaching. The paper also proposes
suggestions for the reasonable use of new elements in the development of ethnic vocal music, including adhering to the principle of genetic
integration, technical ethical frameworks, and reconstructing the dissemination ecosystem, ensuring the sustainable development of ethnic vocal music.
new elements due to the diversification of society, forming a certain positive impact. This paper analyzes the phenomenon of integrating
new musical elements in ethnic vocal music creation since the 21st century, exploring innovative paths for traditional art forms under a global
context. It examines the application of new elements from three aspects: work creation, performance, and teaching. The paper also proposes
suggestions for the reasonable use of new elements in the development of ethnic vocal music, including adhering to the principle of genetic
integration, technical ethical frameworks, and reconstructing the dissemination ecosystem, ensuring the sustainable development of ethnic vocal music.
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[1] Wu Yuanyuan. Thoughts on the Diversified Development of Chinese National Vocal Art [J]. Artist, 2024, (09):73-75.
[2] Li Miaomiao. The Development and Achievements of Chinese National Vocal Music since the 70th Anniversary of the Founding of the
People's Republic of China [D]. Shanxi Normal University, 2022.
[3] Wang Jingjing. The Application and Effect of Opera Elements in Ethnic Vocal Works Taking the excerpt "Hate as High as a Mountain, Enmity as Vast as the Sea" from "The White-Haired Girl" as an Example [J]. National Music, 2024, (06):16-18.
DOI: http://dx.doi.org/10.70711/rcha.v3i3.7014
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