The Innovation Path of Micro-film from the Perspective 
of Media Intertextuality

Yejian Huang

doi:10.70711/rcha.v3i3.7017

The Innovation Path of Micro-film from the Perspective of Media Intertextuality

Yejian Huang

Abstract

Taking the representative micro film works since 2010 as the research sample, this paper focuses on the integration and innovation
practice with different media. In the comprehensive dimension of media, micro film has formed innovative models such as image translation
of literary images and dynamic deconstruction of painting composition through multiple paths such as audio-visual reconstruction and field
reconstruction. This cross media intertextual production expands the narrative dimension and aesthetic space of micro film, which not only
makes the micro film achieve infinite extension of artistic expression within a limited time, but also provides valuable enlightenment and reference for the content production and form innovation of film and television art in the new media era.

Keywords

Media intertextuality; Cross border integration; Micro film

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DOI: http://dx.doi.org/10.70711/rcha.v3i3.7017

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