A Comparative Study of the Composition Forms of Landscape Painting in the East and the West
Abstract
This paper focuses on the differences in the composition forms of landscape paintings between China and the West, conducting
an in-depth analysis from four dimensions: spatial organization logic, visual focus, and dynamic guidance. Through comparative analysis of
typical cases and theoretical interpretation, it reveals the essential differences between Western landscape paintings, which construct a "measurable reality" based on scientific rationality, and Chinese landscape paintings, which create an "experienceable artistic conception" through
philosophical thinking. Additionally, the paper explores the implications of these differences for contemporary art creation and education,
aiming to provide theoretical references for cross-cultural artistic exchanges and creative practices.
an in-depth analysis from four dimensions: spatial organization logic, visual focus, and dynamic guidance. Through comparative analysis of
typical cases and theoretical interpretation, it reveals the essential differences between Western landscape paintings, which construct a "measurable reality" based on scientific rationality, and Chinese landscape paintings, which create an "experienceable artistic conception" through
philosophical thinking. Additionally, the paper explores the implications of these differences for contemporary art creation and education,
aiming to provide theoretical references for cross-cultural artistic exchanges and creative practices.
Keywords
The East and the West Landscape Painting; Composition Forms; Differences and Commonalities
Full Text:
PDFReferences
[1] Wei Jun. Is There Scattered-Point Perspective in Western Painting? The Debate on Perspective in 17th Century French Academies
from a Comparative Sino-Western Perspective [J]. Fine Arts Review, 2024, (11): 101-105.
[2] Zhang Shaoming, Zhang Yi. "Unity of Heaven and Man" and "Separation of Subject and Object" Exploring the Impact of Different
Sino-Western Cosmologies on Painting [J]. Artist, 2024, (11): 29-31.
[3] Wu Ruotong. Exploration of the Exchange and Integration of Sino-Western Painting Concepts [J]. Horizons, 2023, (11): 153-155.
DOI: http://dx.doi.org/10.70711/rcha.v3i5.7372
Refbacks
- There are currently no refbacks.
