pisco_log
banner

Media Transformation and Digital Dissemination of Ethnic Vocal Music in the Digital Age

Youjian Xu

Abstract


This paper investigates the transformative impact of digital media on the dissemination and reception of Chinese ethnic vocal music
in the context of the digital age. Traditionally rooted in oral transmission, ritual practice, and localized communal settings, Chinese ethnic vocal music is now increasingly mediated through a variety of digital platforms such as Douyin (TikTok), Bilibili, YouTube, and music streaming services. The study traces the transition from stage-centered, region-bound performances to virtual, algorithm-driven exposure, and examines how technologies such as short videos, livestreaming, and digital remixing are reshaping the production, presentation, and consumption
of ethnic vocal traditions.

Keywords


Chinese ethnic vocal music; Digital media; Dissemination; Cultural transformation; Online platforms; Media convergence

Full Text:

PDF

Included Database


References


[1] Shu, M. (1954). Some Issues in Learning Ethnic Music Heritage. Peoples Music, (3), 4346.

[2] Liu, H. (2018). Inheriting Beauty, Expressing Beauty, Creating Beauty, Disseminating Beauty, Leading Beauty: Reflections on the Development of Chinese Vocal Music. Chinese Music, (1), 714 + 193.

[3] Dong, H. (2008). The Inheritance and Development of Traditional Music Elements in Contemporary Vocal Education: A Case Study of

Singing and Teaching Shaanbei Folk Songs. Chinese Music, (2), 254266.

[4] He, Y. (2017). The Pluralistic Development of Modern Chinese Vocal Art. Music Composition, (9), 107108.




DOI: http://dx.doi.org/10.70711/rcha.v3i5.7388

Refbacks

  • There are currently no refbacks.