Application of Chinese Opera Elements in Piano Music -- Taking Piano Concerto "Ambush on All Sides" as an Example
Abstract
This paper takes the piano concerto "Ambush on All Sides" as the research subject, delving into the specific application and
artistic value of Chinese opera elements in piano music. By analyzing the work's references to and innovations in opera singing styles,
rhythmic structures, instrumental timbres, and performance conventions, this study reveals a unique path for the integration of Chinese opera with Western piano art. The research finds that through creative transformation of opera elements, "Ambush on All Sides" not only retains the charm and tension of traditional opera but also leverages the symphonic expressiveness of the piano. This provides an exemplary
model for the nationalization of Chinese piano music creation and holds significant importance for promoting contemporary expressions of
traditional culture.
artistic value of Chinese opera elements in piano music. By analyzing the work's references to and innovations in opera singing styles,
rhythmic structures, instrumental timbres, and performance conventions, this study reveals a unique path for the integration of Chinese opera with Western piano art. The research finds that through creative transformation of opera elements, "Ambush on All Sides" not only retains the charm and tension of traditional opera but also leverages the symphonic expressiveness of the piano. This provides an exemplary
model for the nationalization of Chinese piano music creation and holds significant importance for promoting contemporary expressions of
traditional culture.
Keywords
Chinese opera elements; Piano music; Piano Concerto "Ambush on All Sides"; Artistic integration; Nationalized creation
Full Text:
PDFReferences
[1] Liu Yuqing. The Multidimensional Fusion of Tradition and Modernity in the Dance Drama "Ambush on All Sides" [J]. Art Grand View,
2025(21):47-49.
[2] Liang Jiajia. The Modern Interpretation and Inheritance Pathway of the Ancient Melody "Ambush on All Sides" [J]. Art Grand View,
2025(12):79-81.
[3] Liu Yu. The Evolution of Quyi Creation in the Context of Artificial Intelligence Taking the Single String "Ambush on All Sides" as
an Example [J]. Quyi, 2024, (11):23-28.
[4] Zhao Ying, Ye Hongde. An Exploration of the "Active" Phenomenon in the Ancient Pipa Composition "Ambush on All Sides" [J]. Journal of Xinghai Conservatory of Music, 2024(04):127-141.
DOI: http://dx.doi.org/10.70711/rcha.v3i7.7799
Refbacks
- There are currently no refbacks.
