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Mazu Image Identification from the Perspective of Maritime Communication: A Study Based on Southeast China

Han Luo

Abstract


This study explores the Mazu cultural image's construction across different Chinese regions from an ocean communication perspective. Using qualitative interviews in Fujian, it compares coastal and inland perceptions. Findings reveal a hierarchical image: from "marine
protector" to "cultural identity symbol" to "universal moral symbol, " shaped by regional culture, personal experience, and media exposure.

Keywords


Mazu culture; Ocean propagation; Image recognition; Cross regional comparison

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References


[1] Shuai Zhiqiang. The diachronic evolution of Mazu images in sculptures and the changes in visual rhetoric [J]. World Religions Studies,

2022, (04): 68-76+129-132.

[2] Hu Mengfei. The God of the South Goes North: The Construction and Spread of Mazu Belief in the Grand Canal Area of BeijingHangzhou in the Ming and Qing Dynasties (Part 1)[J]. Chinese Religion, 2024, (05): 16-21.

[3] Beijing-Hangzhou in the Ming and Qing Dynasties (Part 1)[J]. Chinese Religion, 2024, (05): 16-21.




DOI: http://dx.doi.org/10.70711/rcha.v3i9.8130

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