From Gesture Coding to Simulacrum Order: Decoding and Dissemination of Cross-Cultural Symbols in British TV Dramas -- A Case Study of Inside No. 9 Season 9
Abstract
British TV dramas break through the dialectical framework of media form innovation and narrative limitations, and reconstruct the audience's
decoding practice through the ritualized performance of physical symbols and the self-reference of simulacra. The ritualization constructed by
the "confined space narrative" and "meta-media interaction" in the drama enhances the viewing experience and breaks the cultural barriers of
traditional TV series. This work not only inherits the local nature of British black humor, but also realizes the recontextualization of cultural
symbols and the audience's participatory interpretation through the dissemination of global streaming platforms.
Keywords
Full Text:
PDFReferences
[1] Liu Hailong. Media and Mediality: Posture Theory and Communication Research [J]. Journalist, 2024, (12): 15-25.
[2] Xie Zhi, Xu Xin. Reality and Innovation in Virtual Reality News from the Perspective of Phenomenology of the Body [J]. New Media
Research, Issue 236, 2024, 10(24): 34-38.
[3] Wang Lili, Song Peixuan. Narrative Reversal, Polysemous Characters, and Spatial Perspective: The Realistic Creation Trend in Recent
British TV Series [J]. China Television, 2023, (03): 107-112.
[4] Zhou Ya. The "Carnival" of the Audience in Bullet Comments: An Analysis Based on Stuart Hall's Encoding/Decoding Theory [J].
China Media Technology, 2016, (07): 68-69 + 75.
[5] Jing Miaochun, Hu Huojin. Environment and Concepts: The Apocryphal Phenomenon and Political Implications of Linping Lake in the
Early Middle Ages [J]. Folklore Studies, 2025, (01): 135-144 + 159.
[6] Flusser, V. (Trans. 2023). Towards a Philosophy of Photography (Revised Ed.). London: Reaktion Books. (Original work published
1983)
DOI: http://dx.doi.org/10.70711/rcha.v3i10.8300
Refbacks
- There are currently no refbacks.