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Narrative Voice in Pride and Prejudice

Yuruo Chen

Abstract


This paper explores the distinctive narrative voice in Jane Austen's Pride and Prejudice (1813), focusing on its crucial role in
shaping the novel's tone, characterization, and thematic depth. The study examines Austen's use of free indirect discourse, irony, narrative
distance, and social commentary, revealing how these techniques create a balance between authorial omniscience and character subjectivity.
Through free indirect discourse, Austen blends third-person narration with individual consciousness, allowing readers to access characters'
inner thoughts while preserving narrative objectivity. Her pervasive use of irony serves both as a tool of humor and as a subtle critique of social norms, particularly regarding class, marriage, and gender. The analysis also discusses how exaggeration and gossip function as narrative
devices that expose social hypocrisy and highlight the limited roles available to women in Regency-era England. By combining psychological
realism with satirical observation, Austen's narrative voice invites readers to actively engage with the text, fostering a deeper understanding of
its moral and social implications. Ultimately, the paper argues that Austen's innovative narrative strategy not only enhances the novel's artistic
value but also redefines the relationship between narrator, character, and reader in English fiction.

Keywords


Jane Austen; Pride and Prejudice; Narrative voice; Narrative discourse; Irony; Gender; Distance

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References


[1] Jane Austen. Pride and Prejudice. London: T. Egerton, 1813.

[2] Percy Lubbock. The Craft of Fiction. London: Jonathan Cape, 1921, p.117.

[3] Wang Youping. Dictionary of Literary Criticism Terms. Shanghai: Shanghai Literature and Art Publishing House, 1999, p. 31.

[4] H. M. Abrams. A Glossary of Literary Terms. 7th ed. Fort Worth: Harcourt Brace College Publishers, 1999.

[5] Wayne C. Booth. The Rhetoric of Fiction. 2nd ed. Chicago: University of Chicago Press, 1983.

[6] Ian Watt. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. London: Chatto & Windus, 1957.

[7] Sandra M. Gilbert and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination.

New Haven: Yale University Press, 1979.

[8] Marilyn Butler. Jane Austen and the War of Ideas. Oxford: Clarendon Press, 1975.

[9] Tony Tanner. Jane Austen. Cambridge: Harvard University Press, 1986.




DOI: http://dx.doi.org/10.70711/rcha.v3i10.8303

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