The Esthetic Value of Debussy's Impressionist Music to the Contemporary
Abstract
compositions, examining their unique style and the cultural milieu of 19th-century Paris that shaped their creation, through a blend of visual analysis, theoretical exploration, and historical context. It examines the profound influence of Claude Debussys work on contemporary
music composition, particularly his role in shaping modern music aesthetics and pioneering innovative techniques that have transcended
national boundaries. esthetic perspectives, aiming to revitalize the Impressionist "New Wind" movement and provide insights for the development of modern music.
Keywords
Full Text:
PDFReferences
[1] Wen Ya, Mao Zhi. Aesthetic Research on Debussy's Impressionist Music [J]. Sichuan Drama, 2020(06).
[2] Shen Xuan, Gu Wenxian, Tao Xin. A Concise History of Western Music. Shanghai: Shanghai Music Publishing House, 1999.
[3] An Introduction to the Music of the Twentieth Century by Peter S. Hansen, translated by Meng Xianfu. People's Music Publishing
House, 1987.
[4] Qian Yiping, Wang Dandan. The Evolution of Western Music Genres and Forms. Shanghai Conservatory of Music Press, 2003.
[5] Yu Runyang. A General History of Western Music. Shanghai Music Publishing House, 2002. Luo Qin. Culture in Music and Music in
Culture. Shanghai Calligraphy and Painting Publishing House, 2004.
[6] Chen Jing. A Brief Analysis of Debussy and "Clair de Lune" in Impressionist Music: Structural Features and Performance Style [J]. Art
Review, 2017, (08):42-44.
[7] Cai Shuang. Impressionism and Symbolism in Debussy's Music [J]. Contemporary Music, 2016, (09):61-63.
DOI: http://dx.doi.org/10.70711/rcha.v3i11.8396
Refbacks
- There are currently no refbacks.