A Study on the Visual Expression of Macao's Portuguese Azulejo Elements in Cultural and Creative Packaging Design:The Case of Chui Heong Yuen Souvenir Packaging
Abstract
cultural exchange. Portuguese Azulejos, a prominent visual element in Macao's historic architecture, encapsulate both regional memory
and cultural symbolism. Taking the packaging of Chui Heong Yuen as a case study, this paper investigates how the visual genes of Portu
guese Azulejos are reinterpreted and innovatively integrated into cultural and creative packaging design. Based on visual gene extraction
theory, the study examines the Azulejos' characteristics through the three dimensions of form, color, and semantics, and subsequently
constructs a "formcolorsemantics" model for visual translation. The findings indicate that Azulejos motifs can strengthen brand identity
while facilitating the contemporary reinterpretation of Macao's cultural imagery. This research provides methodological insights for the
cultural redesign of traditional brands and offers a theoretical foundation for enhancing the visual language of Macao's cultural and crea
tive products.
Keywords
Full Text:
PDFReferences
[1] Almada, M. (2020).Azulejos: The art of Portuguese Azulejos.Almedina. Barthes, R. (1977). Image, music, text. Hill and Wang.
[2] Liu,Y. (2022). Cultural visual gene methodology in contemporary design. Design Studies, 48(2), 144158.
[3] Oliveira, D., & Pires, S. (2021). Pattern, repetition and identity:Visual analysis of Iberian Azulejos motifs. Design Studies, 74, 101016.
[4] Orth, U., & Malkewitz, K. (2008). Holistic package design and consumer brand perception. Journal of Marketing, 72(3), 6481.
[5] Rundh, B. (2016). The role of packaging in marketingAn exploratory study. British Food Journal, 118(11), 24912511.
[6] Underwood, R. (2003). The communicative power of product packaging: Creating brand meaning. Journal of Marketing Theory & Prac
tice, 11(4), 6276.
[7] Velasco, C., & Spence, C. (2019). Multisensory packaging design: Color, shape and consumer perception. Food Quality and Preference,
71, 198208.
[8] Zang, L. (2025). Cultural symbol translation in contemporary packaging. Journal of Visual Communication, 19(1), 2235.
[9] Zhang, Y. (2020). Visual identity transformation of traditional ornaments in modern product packaging. Journal of Design History,
33(4), 389402.
[10] Chen, M. (2022).A study on the visual translation of Macao's urban symbols in cultural and creative products. Packaging Engineering,
43(14), 144151.
[11] Chen, S. (2020).Visual gene extraction methods and design practices for traditional patterns. Decoration, 9, 8692.
[12] Huang, J. J. (2023). Modern design translation of Macao's graphic symbols from the perspective of Lusophone culture.Art Exploration,
2023(4), 3340.
[13] Lee,W.Y. (2024).A study on the visual narrative of Macao's traditional souvenir packaging. Chinese Journal of Design, 12(1), 5570.
[14] Liu, W. Q. (2022). Regenerative expression of Macao's historic city culture in packaging visual language. China Packaging, 42(6),
8894.
[15] Su, Q. (2020). Design research on Macao's tourist souvenirs based on regional culture. Decoration, 10, 5257.
[16] Xu, Y. D. (2023). Innovation strategies for Macao's souvenir brand design from the perspective of cultural fusion. Design, 8(2), 208
214.
[17] Zheng,Y. (2023).A study on the construction of cultural symbols in Macao's cultural and creative industries.Art and Design, 3, 7782.
DOI: http://dx.doi.org/10.70711/rcha.v4i2.9163
Refbacks
- There are currently no refbacks.