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Techniques for Emotional Expression: Enhancing the Artistic Impact of Vocal Performance

Hang Liu

Abstract


Vocal performance relies on the human voice to convey emotion; the creation of artistic impact is inseparable from the way the voice is
handled, and even more so from the precise presentation of emotional expression. Emotional expression holds central value in vocal performance;
it is the core foundation of the performance, a vital link bridging the gap between performer and audience, and a key factor in endowing a work
with enduring artistic vitality. Three categories of vocal techniquesbreath control, timbre adjustment, and articulationlay the groundwork
for the presentation of artistic impact, convey the primary content of emotional transmission, and refine the specific manifestations of emotional
expression. Vocal performance must establish an emotional trajectory by integrating the work's context and underlying meaning, combining vocal
techniques with emotional expression to achieve overall harmony. By drawing upon one's own life experiences and emotional depth to enhance
the authenticity of expression, this approach provides theoretical support and practical guidance for vocal performers to elevate their stage presence, thereby facilitating the deeper development of vocal artistry in terms of emotional communication and aesthetic expression.

Keywords


Techniques for expressing emotion; Vocal performance; Artistic impact; Vocal techniques; Conveying emotion

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References


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[2] Ke Feng. A Brief Discussion on Emotional Expression and the Application of Vocal Technique in Vocal Performance [J]. Art Critique,

2024, (07): 6974.

[3] Wang Wenzhao. A Study of Emotional Expression and Vocal Techniques in Vocal Performance [J]. Theatre Home, 2023, (20): 113115.

[4] Tang Yuan. The Intrinsic Relationship Between Vocal Techniques and Emotional Expression [J]. Theatre Home, 2024, (31): 9496.

[5] Chen Qingqing. Enhancing the Singer's Emotional Expression Techniques in Vocal Performance [J]. Charming Hunan, 2025, (02):

7375.




DOI: http://dx.doi.org/10.70711/rcha.v4i4.9582

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