Affective Responsiveness as Substance: Ma Yifu's Theory of Poetic Creation
Abstract
This "Gan wei ti" (Affective Responsiveness as Substance) is the core concept of Ma Yifu's poetics. Centered on this concept, Ma
Yifu articulated his systematic understanding of the activity of poetic creation. Poetic creation is the spontaneous expression of genuine feeling naturally flowing from the poet's spiritual horizon and capacity of mind a feeling endowed with the breadth of the historical and the
depth of the metaphysical. The activity of poetic creation manifests as reciprocal affective resonance among human beings, and between
human beings and things. It is the unity of composing poetry and learning through poetry, with the ultimate aim of "extirpating vulgar afflictions" and unfolding the mind-nature inherent in every person. Ma Yifu's elucidation of poetic creation offers significant insight for reexamining the function and value of poetry.
Yifu articulated his systematic understanding of the activity of poetic creation. Poetic creation is the spontaneous expression of genuine feeling naturally flowing from the poet's spiritual horizon and capacity of mind a feeling endowed with the breadth of the historical and the
depth of the metaphysical. The activity of poetic creation manifests as reciprocal affective resonance among human beings, and between
human beings and things. It is the unity of composing poetry and learning through poetry, with the ultimate aim of "extirpating vulgar afflictions" and unfolding the mind-nature inherent in every person. Ma Yifu's elucidation of poetic creation offers significant insight for reexamining the function and value of poetry.
Keywords
Affective Responsiveness as Substance; Affective Resonance; Poetic Edification
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PDFReferences
[1] Ma Yifu; edited and annotated by Ding Jinghan. Ma Yifu's Remarks on Poetry [M]. Shanghai: Xuelin Publishing House, 1999.
[2] LiuZhang Zailin. The Divergence and Convergence of Chinese and Western Philosophy [M]. Beijing: People's Publishing House, 2004.
[3] Wang Xianpei. Fifteen Lectures on Classical Chinese Poetics [M]. Beijing: Peking University Press, 2007.
DOI: http://dx.doi.org/10.70711/rcha.v4i5.9740
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