pisco_log
banner

Music, Technology and Education

Jiaqi Xu

Abstract


This article explores the profound impact of technological development on music education. It points out that since the 1980s, driven by government initiatives, computer and telecommunications-based technologies have been gradually integrated into the education system.
This integration has prompted a shift in teaching methodology from teacher-centred knowledge transmission to a student-led framework for
exploration primarily facilitated by technological tools. This study defines "music technology" as a broad conceptual domain, whose scope is
not limited to digital software (e.g., Soundplant, Audacity) but also encompasses long-standing auxiliary tools such as pitch forks and pianos.
Research indicates that the application of music technology has significantly influenced music education. For instance, it makes learning more
intuitive through recording and analysis technologies (from phonographs to simulation systems); it stimulates student creativity and fosters
unexpected inspiration through exploratory activities; and it promotes interdisciplinary collaboration and a transformation of teacher and student roles through projects like 'live coding'. In the process of utilizing these new technologies, the role of the teacher also shifts, increasingly
becoming that of a supervisor and co-learner in the learning process. Furthermore, technological advancements create pathways for more
individuals to learn music more effectively, as exemplified by the "Plug IT" project, which assists individuals with disabilities in participating
in music creation, thereby broadening the inclusivity of music. In summary, technology serves as an empowering tool that not only optimizes
teaching effectiveness and extends the horizons of possibility and creativity within music education but also enables both educators and learners to discover their individualized insights amid exploratory pursuits.

Keywords


Music Technology; Music Education, pedagogy; Creativity; Teacher role transformation; Interdisciplinary collaboration; Integration

Full Text:

PDF

Included Database


References


[1] Burnard, P., Florack, F., Blackwell, A. F., Aaron, S., & Philbin, C. A. (2016). Learning From Live Coding. Routledge Handbooks Online. https://doi.org/10.4324/9781315686431.ch4

[2] Hallam, S., McQueen, H., Creech, A., Adams, P., Conlon, J., Durrant, C., Ellison, J., Gaunt, H., Himonides, E., & Laurence, K. (2010).

Music Education in the 21st Century in the United Kingdom: Achievements, Analysis and Aspirations. Institute of Education Press (IOE

Press). http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=1047876

[3] Himonides, E. (2012, September 6). The Misunderstanding of Music-Technology-Education: A Meta Perspective. The Oxford Handbook of Music Education, Volume 2. https://doi.org/10.1093/oxfordhb/9780199928019.013.0029_update_001

[4] Himonides, E. (2019, April 11). Ave Verum Pentium. The Oxford Handbook of Singing. https://doi.org/10.1093/

oxfordhb/9780199660773.013.55

[5] Mishra, P., & Henriksen, D. (2017). Creativity, Technology and Education: Exploring Their Convergence. Springer International Publishing AG. http://ebookcentral.proquest.com/lib/ucl/detail.action?docID=5183823

[6] Paynter, J. (1997). Editorial. British Journal of Music Education, 14(2), 107108. https://doi.org/10.1017/S0265051700003533

[7] Savage, J. (2005). Working towards a theory for music technologies in the classroom: How pupils engage with and organise sounds with

new technologies. British Journal of Music Education, 22(2), 167180.

[8] Somekh, B. (2000). New Technology and Learning: Policy and Practice in the UK, 19802010. Education and Information Technologies, 5(1), 1937. https://doi.org/10.1023/A:1009636417727

[9] Somekh, B. (2007). Pedagogy and learning with ICT. London: Routledge.

[10] Somekh, B., & Davies*, R. (1991). Towards a pedagogy for information technology. The Curriculum Journal, 2(2), 153170. https://doi.

org/10.1080/0958517910020205

[11] STRAVINSKY, I. (1974) The Poetics of Music. Cambridge, MA: Harvard University Press.

[12] Torrance, E. P. (1972). Can We Teach Children To Think Creatively?*. The Journal of Creative Behavior, 6(2), 114143. https://doi.

org/10.1002/j.2162-6057.1972.tb00923.x




DOI: http://dx.doi.org/10.70711/neet.v4i6.9498

Refbacks

  • There are currently no refbacks.