A Place-Based Translation Framework for Fuzhou Youshen Ritual Symbols in Cultural and Creative Product Design
Abstract
observation, informal consultation, sign coding, comparative analysis, and research through design were combined. Deity images, ritual
objects, costume patterns, and behavioral-spatial signs were examined through Morris's syntactic, semantic, and pragmatic dimensions. The
framework contains three stages—meaning anchoring, formal reconstruction, and contextual adaptation—and four review questions concerning source traceability, semantic consistency, identity legibility, and contextual risk. The Ritual Reborn series was used for an author-led retrospective review. The results indicate that freedom of formal change decreases as a sign becomes more closely tied to divine identity, office, or
ritual regulation. The case demonstrates internal design coherence rather than user acceptance or market effectiveness.
Keywords
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DOI: http://dx.doi.org/10.70711/rcha.v4i8.10179
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