The Oriental Aesthetic Conception in the Animated Film Chang An

Abstract

As an art form, film and television works are not only intended to entertain the public, but also a medium to convey ideas, emotions
and aesthetic concepts, containing aesthetic value and artistic atmosphere, which can trigger the audiences emotional resonance and thinking.
Chang An, a theatrical animation, reconstructs the narrative of historical animated films based on real characters and historical events. With
the rhyme of poetry and the melody of music, it embodies the essence of shape dispersing but spirit concentrating in the Oriental aesthetic
thought, cleverly constructs a unique Oriental implication of Chinese animated films, and innovatively constructs a new aesthetic paradigm of
domestic animated films. It is not only a tribute to cultural inheritance and tradition, but also an exploration of innovation and the pursuit of
beauty. This paper analyzes the expression of Oriental aesthetics from the aspects of film narration and art design with examples, in order to
provide reference for domestic animation creators.