A Brief Analysis of Chen Jieqis Calligraphy Concepts in Xizi Jue
Abstract
aspects such as holding the brush, moving the brush, choosing the brush, regulating ones breath, using ink, applying mental focus, and taking
inspiration from copying models. He also touched upon the states before and after creation, with a particular emphasis on brush techniques.
This paper first provides an explanation of the completion time and collection status of The Art of Writing. Then, it discusses the calligraphic concepts presented in the text in three stages: the method of distinct brush tip and the manifestation of brush force, the pursuit of character structure through understanding the rules, and the calligraphic viewpoint that even the blank spaces have their own connections.
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[1] Cui Erping selects and edits and proofreads The Collection of Ming and Qing Calligraphy - Next, Shanghai Rhetoric Press, May 2011
edition, p. 1209
[2] Lu Mingjun, The Chronicle of Chen Jieqi (?????), Xiling Yinshe Publishing House, 04/2015 edition, p. 190.
[3] Xia Xiaohong, Selected Writings of Liang Qichao - Next, China Radio and Television Publishing House, 1st edition, August 1992, p. 235
[4] Cui Erping, Collected Essays on Ming and Qing Books-next, Shanghai Rhetoric Publishing House, 05/2011 edition, p. 1205.
[5] Xia Zhengnong, Chen Zhili: Dazhihai - Fine Arts Volume, Shanghai Rhetoric Publishing House, 2012 edition, 190 pp.
[6] (Eastern Jin Dynasty) Wei Gou: The Pen Formation Diagram, in Selected Essays on Calligraphy of All Ages, Shanghai Calligraphy
and Painting Press, October 1, 1979 edition, p. 21
[7] (Qing Dynasty) Chen Jieqi: Xi Zhi Xie, in Cui Erping selected and edited and punctuated by The Collected Calligraphy Essays of the
Ming and Qing Dynasties - The Next, Shanghai Rhetoric Book Publishing House, 2011 edition, p. 1207.
DOI: http://dx.doi.org/10.70711/rcha.v2i12.6330
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