The Natural Code of Animation Characters from the Perspective of Ecological Aesthetics
Abstract
This paper focuses on the character creation paradigms of ecological themes in animation art, revealing the visual interpretation
of the community of life by creators through two types of images: Daughters of Nature and Personified Animals. The research finds that
animation characters transform ecological issues into perceptible visual narratives, forming a unique expression system. This character design
strategy not only reconstructs the expression dimensions of ecological aesthetics but also guides the transformation of audience ecological
cognition through symbolic interaction, providing an innovative model for ecological communication in the media age.
of the community of life by creators through two types of images: Daughters of Nature and Personified Animals. The research finds that
animation characters transform ecological issues into perceptible visual narratives, forming a unique expression system. This character design
strategy not only reconstructs the expression dimensions of ecological aesthetics but also guides the transformation of audience ecological
cognition through symbolic interaction, providing an innovative model for ecological communication in the media age.
Keywords
Ecological Aesthetics; Animation Characters; Character design
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PDFReferences
[1] Li Jialuan, Wei Qingqi. Women and Nature: From Essence to Constructed Community [J]. Journal of Jiangsu Administration Institute,
2017, (03): 38-44.
[2] Ye Hui, Wang Xinbai. The Origin, Multiple Dimensions and Cultural Background of the Construction of Personification of Characters
in Western Animated Films [J]. Film Literature, 2024, (24): 101-105.
[3] Xu Kun. Animal Narratives in American Television Animation [J]. China Television, 2018, (02): 98-103.
DOI: http://dx.doi.org/10.70711/rcha.v3i2.6754
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