Yang Liu

doi:10.70711/rcha.v3i3.7047

The Symbiotic Evolution of Technological Media and Impressionist Transient Painting

Yang Liu

Abstract

Artificial intelligence-generated art and impressionist painting form a dialogue across time and space in the aesthetic dimension
of transience, revealing the symbiotic evolution of technological media and artistic cognition. This paper takes the symbiosis of light and
colour and algorithm as the starting point, and compares the light and colour experiments of Monets A Thousand Haystacks series, Degass
dynamic slicing compositions, and other art cases, to explore how the technological medium can continue to transform the Impressionists
interpretation logic of instantaneous perception with the mechanism of data parsing and parameter restructuring. The exhibition will explore
how the technological medium can continue and transform Impressionisms interpretative logic of instantaneous perception through the
mechanism of data analysis and parameter restructuring.

Keywords

Impressionism; Transience; Artistic evolution

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References

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DOI: http://dx.doi.org/10.70711/rcha.v3i3.7047

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