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Supernatural Audio-visual Strategies and the Presentation of Intergenerational Trauma in "Hereditary"

Jianing Wei

Abstract


This article explores how supernatural phenomena in contemporary horror films can symbolize and externalize intergenerational
trauma. Using Hereditary (2018) as a case study, it analyzes how audio-visual strategies simulate psychological symptoms. Drawing on trauma theory and psychoanalytic concepts, the article argues that supernatural elements serve not only as aesthetic devices but also as expressive
tools for unspeakable familial and societal trauma.

Keywords


Supernatural phenomena; Intergenerational trauma; Audio-visual strategies; Film; Hereditary

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References


[1] Caruth, Cathy, Unclaimed Experience: Trauma, Narrative, and History (Johns Hokins University Press, 2016).

[2] Derrida, Jacques, Specters of Marx: The State of the Debt, the Work of Mourning, and the New International, trans. by Peggy Kamuf

(Routledge, 2006).

[3] Freud, Sigmund, 'Beyond the Pleasure Principle', in Literary theory: an anthology, second edition, ed. by Julie Rivkin and Michael Ryan

(Blackwell Pub., 2004), pp.431-7.

[4] Freud, Sigmund, The uncanny (Penguin Books, 2003).

[5] Gordon, Avery F, Supernatural phenomenonly Matters: Haunting and the Sociological Imagination (University of Minnesota Press,

2008).




DOI: http://dx.doi.org/10.70711/rcha.v3i6.7611

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