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A Brief Analysis of the Visual Structure and Philosophical Implications of Contemporary Experimental Animation

Xinyue Xu

Abstract


Experimental animation constructs visual language through non-narrative structures and symbolic imagery, serving as a vital medium for expressing concepts and emotions. This paper examines several representative experimental animation shorts from recent years.
Through four dimensionsmaterial language, spatial rhythm, ethical allegory, and cultural translationit explores the philosophical implications embedded within their visual constructions.

Keywords


Experimental animation; Visual philosophy; Symbolic imagery

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References


[1] Xu Xiang. In the Name of "Experiment": Concepts and Paradigms of Experimental Animation [J]. Art Hundred, 2023(6): 107-113.

[2] Zhang Ning. The Metamorphosis of Ordinary Objects in Stop-Motion Animation: An Artistic Philosophical Exploration [J]. Art Panorama, 2024(8 Lower): 92-94.

[3] Zhao Li. Object, Image, and Visual: Exploring the Language of Experimental Film [J]. Artist, 2023(7): 154-155.

[4] Wang Xinyue. A Study on the Spatio-Temporal Dimensions of Maya Deren's Experimental Film Trilogy [D]. Xi'an Academy of Fine

Arts, 2024.

[5] Zhao Song. Innovative Exploration and Application of Visual Narrative in Experimental Film [D]. Lu Xun Academy of Fine Arts, 2025.




DOI: http://dx.doi.org/10.70711/rcha.v3i8.7965

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