Reflections on the "Dot Texture" Technique in Traditional Painting Creation -- Taking Fan Kuan's "Travelers among Mountains and Streams" as an Example
Abstract
During the development of Chinese landscape painting, the emergence of texturing methods played a significant role in promoting
its maturity. It enabled landscape painting to become an independent discipline. The painting exists merely a background for figure painting
or schematic maps, thus accelerating its developmental process. While variations in the shape, angle, and position of dot texturing methods
in landscape painting lead to different effects and functions. This phenomenon presents in Fan Kuan's "Travelers among Mountains and
Streams", which was elaborated in detail in this text.
its maturity. It enabled landscape painting to become an independent discipline. The painting exists merely a background for figure painting
or schematic maps, thus accelerating its developmental process. While variations in the shape, angle, and position of dot texturing methods
in landscape painting lead to different effects and functions. This phenomenon presents in Fan Kuan's "Travelers among Mountains and
Streams", which was elaborated in detail in this text.
Keywords
Dot Texture; Abstract Visual; Emotion
Full Text:
PDFReferences
[1] Yuan Ji, compiled by Wang Yichen. Da Dizi Ti Hua Ba Shi [Inscriptions and Poems on Paintings by Da Dizi]. Shanghai People's Fine
Arts Publishing House, 1987.
[2] [France] Auguste Rodin, recounted to Paul Gsell. Rodin on Art. People's Fine Arts Publishing House, 1978: 3.
[3] Guo Xi. Lin Quan Gao Zhi [The Lofty Message of Forest and Streams]. Zhongzhou Ancient Books Publishing House, 2013.
[4] Yu Jianhua. Zhongguo Hua Lun Lei Bian [Classified Compilation of Chinese Painting Theory]. People's Fine Arts Publishing House,
1986: 997.
DOI: http://dx.doi.org/10.70711/rcha.v3i9.8167
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