| Issue | Title | |
| Vol 4, No 3 (2026) | Illustration Artistic Expression in the Context of Digital Interactive Technologies | Abstract PDF |
| Lin Yuan | ||
| Vol 4, No 3 (2026) | Exploration of Human Nature from the Perspective of Psychoanalytic Film Theory --A Brief Analysis of the Film "Dogman" | Abstract PDF |
| Jiayue Yang | ||
| Vol 4, No 3 (2026) | Analysis of Cross-Cultural Communication Strategies in Chinese Cultural from the Perspective of Encoding and Decoding Theory:A Case Study of Peng Jingxuan | Abstract PDF |
| Limin Zhang | ||
| Vol 4, No 3 (2026) | Trauma Healing and Collective Empathy: Multidimensional Reflections on the Creation of the Hundred Flowers Award-Winning Film Hi, Mom | Abstract PDF |
| Shaojie Liu | ||
| Vol 4, No 3 (2026) | Research on the Public Opinion Guidance Strategies of Mainstream Media in the New Media Environment | Abstract PDF |
| Jiashan Wang | ||
| Vol 4, No 3 (2026) | Narrative Hierarchy and Affective Coherence in Cinema: Rethinking the Central Dramatic Question in Where Is the Friend's House? and Blue Gate Crossing | Abstract PDF |
| Zilin Wu | ||
| Vol 4, No 3 (2026) | Research on the Current Situation and Optimization Strategies of Music Education in Rural Primary and Secondary Schools | Abstract PDF |
| Suru Fan | ||
| Vol 4, No 3 (2026) | The Gift of Life:A Posthumanist Critique of Organ Donation in Kazuo Ishiguro's Never Let Me Go | Abstract PDF |
| Siyan Zhao | ||
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