| Issue | Title | |
| Vol 3, No 2 (2025) | Nature and Zen: A Comparison of Mood in Tang and Song Poetry and Edo Haiku | Abstract PDF |
| Qianyu Lin* | ||
| Vol 3, No 2 (2025) | A Study on the Cross-Cultural Communication and Translation Strategies of Chinese Tea Culture | Abstract PDF |
| Lan Shi | ||
| Vol 3, No 2 (2025) | An Analysis of the Values in Celest Ngs Everything I Never Told You From the Feminist Perspective | Abstract PDF |
| Shiqiang Sheng, Wei Dong, Qihua Ren | ||
| Vol 3, No 2 (2025) | Observation and Theory Construction in Scientific Realism | Abstract PDF |
| Kai Lu | ||
| Vol 3, No 2 (2025) | A Study on the Historical Origins and Artistic Characteristics of Shandong Bangzi | Abstract PDF |
| Teng Zhang, Wong Chee Wei* | ||
| Vol 3, No 2 (2025) | Background Analysis and Singing Techniques in the Chinese Art Song The Great River Flows East -- Taking Tenor and Baritone as Examples | Details PDF |
| Liao Jiang, Ruyao Wang | ||
| Vol 3, No 2 (2025) | Fashioning Reality: the Cross-Border Integration of Virtual Reality in the Fashion Brand Industry | Abstract PDF |
| Jiayu Gao | ||
| Vol 3, No 2 (2025) | Research on the Strategy of Integrating Chinese Painting Culture into Art Education in Colleges and Universities to Improve Students Aesthetic Quality | Abstract PDF |
| Hui Liu, Huan Yang, Jiacai Liao | ||
| Vol 3, No 2 (2025) | An Interpretation of Donald Barthelmes The Glass Mountain from the Perspective of Defamiliarization | Abstract PDF |
| Sizheng Ma | ||
| Vol 3, No 2 (2025) | Color Narrative and Emotional Metaphor -- Visual Language Analysis of Lee Chang-dongs Green Fish | Abstract PDF |
| Zikang Wang | ||
| Vol 3, No 2 (2025) | The Cognitive Processes Behind Denominal Verbs: A Cross-Linguistic Study of English and Chinese | Abstract PDF |
| Tingting Wen | ||
| Vol 3, No 2 (2025) | Research on the Shaping of the Brand Image of Wine Tourism Destinations in Shandong Province | Abstract PDF |
| Jing Gao | ||
| Vol 3, No 2 (2025) | The Reconstruction of the Image of Western Monsters in the American TV Series Grimm | Abstract PDF |
| Teng Zhang | ||
| Vol 3, No 2 (2025) | The Modern Interpretation and Innovative Expression of Traditional Culture as Seen in Ne Zha 2 | Abstract PDF |
| Li Zhang | ||
| Vol 3, No 2 (2025) | Multimodal Metaphors in Digital Storytelling in a Public Service Announcement | Abstract PDF |
| Yu Hu | ||
| Vol 3, No 2 (2025) | Innovative Paths of Intangible Cultural Heritage in Sino-Czech Intercultural Communication -- A Study Based on the Dialogue between the Czech Crystal Glass Industry and Xiamen Bead Embroidery | Abstract PDF |
| Lu Han | ||
| Vol 3, No 2 (2025) | Strategy of Chinese Cultural Translation Based on the Perspective of Intercultural Communication | Abstract PDF |
| Ran Wang | ||
| Vol 3, No 2 (2025) | The Narrative of Repaying Gratitude in Chinese Animation in a Contemporary Context | Abstract PDF |
| Tianxin Li, Gaofeng Mi | ||
| Vol 3, No 2 (2025) | Emotional Reconstruction of Su-Jen in Midnight at the Dragon Cafe | Abstract PDF |
| Xian Wu | ||
| Vol 3, No 2 (2025) | Reflection and Challenge of Social Language Attitudes in TV Series Slow Horses | Abstract PDF |
| Zhicheng Yu | ||
| Vol 3, No 2 (2025) | An Iconographic Analysis of The Raft of the Medusa | Abstract PDF |
| Yan Xue | ||
| Vol 3, No 2 (2025) | A Study of the Path of Contemporary Chinese Childrens Literature Going Global from the Perspective of Translation Variation Theory -- Taking the English translation of Bronze and Sunflower as an example | Abstract PDF |
| Mengping Zhang | ||
| Vol 3, No 2 (2025) | The Natural Code of Animation Characters from the Perspective of Ecological Aesthetics | Abstract PDF |
| Jiajie Zhang, Gaofeng Mi | ||
| Vol 3, No 2 (2025) | Multimodal Discourse Analysis in Game Construction and the Communication of Chinese Culture -- Take Black Myth: Wukong as an example | Abstract PDF |
| Wenjie Zhang | ||
| Vol 3, No 2 (2025) | Correlation Analysis-Based Research on the Relationship between Interactive Public Art and Public Participation in Community Spaces | Abstract PDF |
| Zhicheng Zhang, You Sang Won* | ||
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